Jegan Vincent de Paul

 

Below is the NRL response to the 29 December 2009 Boston Globe article entitled “Potent Fuel at MIT Reactor Makes Uneasy Politics” by Bryan Bender of the Globe Washington DC office.

Certain basic facts were available to the Globe prior to publication of the article, but did not appear clearly in the article.

One premise of the article was that the MIT Reactor (MITR) could be converted immediately to low-enriched uranium (LEU) fuel if only MIT were willing to accept a small (~10%) decrease in the reactor’s performance. While this statement is true for many low-power university reactors, it is not true for the MITR. Also comments in the article on the security of our fuel inventory are highly misleading. In particular, the following should be noted:

1. The MITR has a very compact core, as do several of the other high performance research reactors including the ones at Missouri-Columbia, NIST, and at Oak Ridge National Laboratory. These reactors can NOT attain criticality using the LEU fuel that has been developed by the Department of Energy (DOE). It is not a question of accepting a small decrement in performance. Conversion with the existing LEU would mean that the MITR could no longer operate. The existing LEU has a density of 4.8 grams/cc. For the MITR to maintain criticality and a reasonable fuel cycle, a density of about 14 grams/cc is required. DOE has candidate fuels that will achieve this density under development. However, efficacy has yet to be shown — tests of the material’s properties are still underway at the Advanced Test Reactor in Idaho.

2. MIT is committed to convert to LEU and has been so committed in writing with the Nuclear Regulatory Commission since the mid 1980s when the LEU conversion effort was initiated in the U.S.  We have not, as the article stated, blocked or delayed the program.  We have pointed out the need for a high-density LEU fuel that would enable all the high performance reactors to maintain criticality. Conversion planning is currently a major activity at the MIT Nuclear Reactor Laboratory, but again it hinges on the DOE development of a suitable fuel, followed by NRC certification.  We strongly concur with current plans to implement the new fuel in 2014.

3. Our existing highly-enriched uranium (HEU) fuel is safe from diversion. The MITR has always had excellent security and is constantly evaluating and upgrading security.  Fresh fuel is brought in the day of a planned refueling under enhanced security, and immediately placed in the reactor core for irradiation.  Thus, there is almost never any fresh fuel on site, and it is limited to much less than the amount needed to make a weapon.  As regards irradiated fuel, it is highly radioactive.  NRC defines fuel to be “self-protecting” in the sense that it is sufficiently radioactive so that anyone stealing it would suffer serious health consequences if it exceeds 100 rads per hour at one meter.  One can debate the adequacy of this level.  For someone who does not value their life, it is not a deterrent.  However, MITR fuel greatly exceeds this level and would cause serious, often debilitating, illness and/or death if anyone were to remove it without massive shields that could not be concealed.

Feb 142012
 

Flying Paper (Tayara Warakiya) is a documentary film that tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.

See: http://flyingpaper.org

Feb 132012
 

The worst disaster in Japan since the second world war hit the country’s north-east coastal region on 11 March 2011. The combination of tsunami and nuclear crisis presented the media with great practical problems and ethical concerns. Wataru Sawamura, an experienced journalist with the leading newspaper the Asahi Shimbun, reflects on how he and his colleagues sought to fulfil their professional responsibilities as the tragedy unfolded.

Full article in: Open Democracy, February 11, 2012

Feb 092012
 

Al Jazeera talks to Professor Toshitaka Katada, a Japanese disaster management specialist
>Full al Jazeera article by Donald Harding – November 23, 201

An Archeology of People & Place

 Posted by Jegan Vincent de Paul on February 7, 2012
Feb 072012
 

Minami Sanriku: An Archeology of People and Place (an excerpt)

Interviews conducted by Jegan Vincent de Paul and Shun Kanda with the help of Sendai-based film maker and interpreter Takaharu Saito. This interview project is supported by a grant from the d‘Arbeloff Fund for Excellence in Education in collaboration with the Japan 3/11 Initiative.

Contribute freely!

 Posted by Jegan Vincent de Paul on February 3, 2012
Feb 032012
 

This site is a blog and growing web-resource for students of the class to use and contribute towards. It is a central component of the class for discussion, presentation and online archiving of research and projects.

Jan 162012
 

 Creative Responses to Conflict and Crises: Japan 3/11 Disaster at a Distance

Instructor: Jegan Vincent de Paul
Teaching Assistant: Matthew Bunza

FIRST CLASS TUESDAY FEBRUARY 7TH, 2012, 7PM
Class:  Tuesdays 7-10p, E15-207
Recitation:  Thursdays 7-10p Room E15-207

This course seeks to develop an understanding of the role of cultural production and artistic intervention in conditions of conflict and crisis. How should one investigate or intervene in such situations through critical reflection, creative agency and participatory action?

Artistic Interventions – Creative Responses to Conflict and Crises will look at disaster as a human-made event that precedes or is continuous with conflict or crises. The course will specifically consider the notion of disaster at a distance: how the location of concern being outside the location of disaster can be an advantage to engender creative and critical responses. As a part of the multi-year MIT Japan 3/11 Initiative, this course is centered on the on-going crises in Japan caused by the March 2011 earthquake, tsunami and nuclear power plant failures as a real world scenario.

1. During the first half of the course, we will investigate how Japan’s triple disaster has been understood internationally. Students will look at how various disciplines and fields, including at MIT, have approached Japan’s disaster in its immediate aftermath as well as in a long term capacity. Students will then use an artistic medium, including image, video, audio and web to present a creative project to position Japan’s disaster within a larger framework of the technology, culture, and politics of today’s global disasters.

2. During the second half of the course, students will form working groups to propose an artistic intervention to the address the current conditions of Japan’s historic disaster. Groups will dialogue on creative alternatives – including utopian – to institutionalized methods and plans for Japan’s continued crises. Students will study the broad array of existing resources that have emerged on Japan since March 2011, including visual narratives, media reports, interviews and critical texts to conceive and develop a proposal from afar.

This seminar and workshop will contribute ideas, share resources and engage in dialogue with members of the Japan 3/11 Initiative and the ACT course Public Art, taught by Professor Antoni Muntadas. We will have weekly readings, assignments and blogging as a central component for discussion, presentation and online archiving of research and projects.